11/5/2023 0 Comments Dutilleux 3 strophes bartok quoteAlthough the suites may have been played by Bach himself, one of the orchestra members (e.g. He studied them carefully for a long time, introduced them to the public on stage, and finally in 1936–1939 he recorded them, becoming the first musician of the modern era to perform them all. Bach apparently wrote the suites in the 1720s in Cöthen, where as the prince’s Kapellmeister, he had superb players at his disposal as well as the support of a music-loving employer. In 1890 the young cellist Pablo Casals (1876–1973) discovered them in one of Madrid’s used book shops. ![]() The compositions, without which we are unable to imagine the cello repertoire, did not appear in print until the first half of the 19 th century. In 1992, Dutilleux sold the majority of his sketches, manuscripts, and correspondences with Sacher to the Paul Sacher Stiftung in Basel, also promising to deposit the remainder of his collection there in the future.Had it not been for a coincidence, today the world might not know about the Six Suites for Cello Solo BWV 1007–1012 by Johann Sebastian Bach (1685–1750). Dutilleux was particularly honored when Sacher commissioned a work from him 1985, with one stipulation that the instrumentation be the same as Bartók’s 1936 work. Dutilleux felt a strong connection with Bartók. He takes particular interest in Bartók and his Music for Strings, Percussion, and Celeste, a work Sacher commissioned in 1936, and which he later quotes in the first movement of 3 Strophes sur la nom de Sacher. They began to exchange letters and spent time together at Sacher’s Shönenburg estate.ĭutilleux’s letter continues with a discussion of his first night at Shönenburg, mentioning the other composers and musicians who had stayed there before him. The two had been friends since 1971, introduced to one another by Rostropovich. Henri Dutilleux and Paul Sacher had known each other for a relatively short period of time prior to Rostropovich’s request. This Sacher piece was originally composed on the occasion of Paul Sacher's 70th birthday in 1976, on a request by Rostropovich to write compositions for cello solo using his name spelt out in musical notes as the theme eS-A-C-H-E-Re (Es is E♭in German, H is B♮ in German, and Re is D in French). Then he composed 3 strophes sur le nom de Sacher (1976–1982) for solo cello. It is considered one of Dutilleux's major achievements.After the cello concerto, Dutilleux wrote to chamber music for the first time in more than 20 years and wrote the string quartet, and also piano works. Rostropovich premièred the work, Tout un monde lointain, in 1970. In the 1960s, Dutilleux met Mstislav Rostropovich, who commissioned a cello concerto from him. ![]() This is the background history and process of his composition of this piece. ![]() Regarding the cello solo 3 strophes sur le nom de Sacher, his contribution was “original and distinctive, carefully crafted,” with each variation or strophe being printed on foldout sheets so one can see the entire movement as a whole. His characteristic is really precise and great care of every small details for everything. He would spend long hours agonizing over his manuscripts, even refusing to publish works if he was not satisfied with their appearance. Henri Dutilleux's work are generally influenced by the tradition of Maurice Ravel, Claude Debussy, Albert Roussel and Olivier Messiaen, but in an idiosyncratic style.ĭutilleux was known for creating impeccable scores, compositionally and visually. He is also a great grandson of Constant Dutilleux who was a 19th-century French painter. Henri Dutilleux (1916 –2013) was a French composer and received several major composer prizes throughout his career including grand prix de Rome.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |